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āφāĻŦ⧁āϞ āĻŦāĻžāĻļāĻžāϰ āĻ•āĻžāĻ•āĻžāϰ

āĻāϟāĻŋ āĻāĻ•āϟāĻŋ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻŦāĻžāĻĻā§āϝāϝāĻ¨ā§āĻ¤ā§āϰāĻ­āĻŋāĻ¤ā§āϤāĻŋāĻ• āĻŦāĻžāĻ‚āϞāĻž āϞ⧋āĻ•-āĻĒāĻĒ āϰāϚāύāĻž, āϝ⧇āĻ–āĻžāύ⧇ āĻĸā§‹āϞ⧇āϰ āĻĒā§āϰāĻžāĻŖāĻŦāĻ¨ā§āϤ āϤāĻžāϞ⧇, āĻšāĻžāϰāĻŽā§‹āύāĻŋāϝāĻŧāĻžāĻŽā§‡āϰ āϏ⧁āϰ⧇ āĻāĻŦāĻ‚ āĻ—ā§āϰāĻžāĻŽā§€āĻŖ āĻ‰ā§ŽāϏāĻŦāĻŽā§āĻ–āϰ āφāĻŦāĻšā§‡ āφāύāĻ¨ā§āĻĻ, āϐāϤāĻŋāĻšā§āϝ āĻ“ āϏāĻŽāĻŦ⧇āϤ āωāĻĻāϝāĻžāĻĒāύ⧇āϰ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋ āĻĢ⧁āĻŸā§‡ āĻ“āϠ⧇āĨ¤

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2
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āφāĻŦ⧁āϞ āĻŦāĻžāĻļāĻžāϰ āĻ•āĻžāĻ•āĻž

āĻŦāĻžāĻ‚āϞāĻžāϰ āĻ—ā§āϰāĻžāĻŽā§€āĻŖ āĻ‰ā§ŽāϏāĻŦ, āφāĻĄā§āĻĄāĻž āĻ“ āϞ⧋āĻ•āϜ āφāύāĻ¨ā§āĻĻ⧇āϰ āφāĻŦāĻšāϕ⧇ āĻĒā§āϰāĻžāĻŖāĻŦāĻ¨ā§āϤ āĻĢā§‹āĻ•-āĻĒāĻĒ āϏ⧁āϰ⧇ āϤ⧁āϞ⧇ āϧāϰāĻž āĻāĻ•āϟāĻŋ āωāĻšā§āĻ›āϞ āχāύāĻ¸ā§āĻŸā§āϰ⧁āĻŽā§‡āĻ¨ā§āϟāĻžāϞ āϏāĻ‚āĻ—ā§€āϤ, āϝ⧇āĻ–āĻžāύ⧇ āϧāĻžāϕ⧇āϰ āϤāĻžāϞ⧇ āĻ“ āĻļ⧇āĻšāύāĻžāĻ‡ā§Ÿā§‡āϰ āĻŽāĻžāϧ⧁āĻ°ā§āϝ⧇ āĻ‰ā§ŽāϏāĻŦ⧇āϰ āφāĻŽā§‡āϜ āĻœā§€āĻŦāĻ¨ā§āϤ āĻšā§Ÿā§‡ āĻ“āϠ⧇āĨ¤

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3
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āφāĻŦ⧁āϞ āĻŦāĻžāĻļāĻžāϰ āĻ•āĻžāĻ•āĻž āĻšā§‡āϝāĻŧāĻžāϰāĻŽā§āϝāĻžāύ⧇āϰ āĻ—āĻžāύ

āĻļāĻŋāϰ⧋āύāĻžāĻŽ āĻ“ āϏ⧁āϰ⧇āϰ āϧāϰāĻŖ āĻ…āύ⧁āϝāĻžāϝāĻŧā§€ āĻāϟāĻŋ āφāĻŦ⧁āϞ āĻŦāĻžāĻļāĻžāϰ āĻ•āĻžāĻ•āĻž āĻšā§‡āϝāĻŧāĻžāϰāĻŽā§āϝāĻžāύāϕ⧇ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ•āϰ⧇ āĻāĻ•āϟāĻŋ āϞ⧋āĻ•āϧāĻ°ā§āĻŽā§€, āĻĒā§āϰāϚāĻžāϰāĻŖāĻžāĻŽā§‚āϞāĻ• āĻ“ āĻ‰ā§ŽāϏāĻŦāĻŽā§āĻ–āϰ āĻ—āĻžāύ, āϝāĻž āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āύ⧇āϤ⧃āĻ¤ā§āĻŦ, āϜāύāϏāĻ‚āϝ⧋āĻ— āĻāĻŦāĻ‚ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āϏāĻŽā§āĻĒā§āϰ⧀āϤāĻŋāϰ āφāĻŦāĻš āϤ⧁āϞ⧇ āϧāϰ⧇āĨ¤

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4
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Time is to know... 0015

āĻāχ āĻ—āĻžāύāϟāĻŋ āϏāĻŽā§Ÿā§‡āϰ āϏāĻ™ā§āϗ⧇ āĻŽāĻžāύ⧁āώ, āϏāĻŽā§āĻĒāĻ°ā§āĻ•, āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ“Time is to know āĻĒā§āϰāϤāĻžāϰāĻŖāĻžāϰ āĻĒā§āϰāĻ•ā§ƒāϤ āϰ⧂āĻĒ āφāĻŦāĻŋāĻˇā§āĻ•āĻžāϰ⧇āϰ āĻ—āĻ˛ā§āĻĒ āĻŦāϞ⧇āĨ¤ āĻ…āĻ¨ā§āϧ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āϭ⧇āϙ⧇ āϏāĻ¤ā§āϝāϕ⧇ āĻ—ā§āϰāĻšāĻŖ, āφāĻ¤ā§āĻŽāϏāĻŽāĻžāϞ⧋āϚāύāĻž āĻāĻŦāĻ‚ āĻœā§€āĻŦāύ⧇āϰ āĻ•āĻ āĻŋāύ āĻŦāĻžāĻ¸ā§āϤāĻŦāϤāĻžāϰ āĻŽā§āĻ–ā§‹āĻŽā§āĻ–āĻŋ āĻšāĻ“ā§ŸāĻžāϰ āφāĻŦ⧇āĻ—āϕ⧇ āĻļāĻ•ā§āϤāĻŋāĻļāĻžāϞ⧀ āϰāĻ• āĻ“ āĻŽā§‡āϟāĻžāϞ āϏ⧁āϰ⧇ āĻĒā§āϰāĻ•āĻžāĻļ āĻ•āϰ⧇āϛ⧇āĨ¤

4 days ago

5
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Time is to know... 0015

āĻāχ āĻ—āĻžāύāϟāĻŋ āϏāĻŽā§Ÿā§‡āϰ āĻĒāϰ⧀āĻ•ā§āώāĻžā§Ÿ āĻŽāĻžāύ⧁āώ⧇āϰ āφāϏāϞ āĻĒāϰāĻŋāϚ⧟, āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇āϰ āϏāĻ¤ā§āϝ-āĻŽāĻŋāĻĨā§āϝāĻž āĻāĻŦāĻ‚ āĻšāĻžāϰāĻžāύ⧋ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāϕ⧇ āĻ…āύ⧁āϏāĻ¨ā§āϧāĻžāύ āĻ•āϰ⧇āĨ¤ āĻŦāĻŋāώāĻŖā§āĻŖ āϰāĻ• āĻ“ āφāĻ•ā§āϰāĻŽāĻŖāĻžāĻ¤ā§āĻŽāĻ• āφāĻŦ⧇āϗ⧇āϰ āĻŽāĻŋāĻļ⧇āϞ⧇ āĻāϟāĻŋ āĻœā§€āĻŦāύ⧇āϰ āĻĒāĻĨ⧇ āϕ⧇ āφāĻĒāύ āφāϰ āϕ⧇ āĻĒāϰ, āϏ⧇āχ āĻ•āĻ āĻŋāύ āωāĻĒāϞāĻŦā§āϧāĻŋāϰ āĻ—āĻ˛ā§āĻĒ āĻŦāϞ⧇āĨ¤

4 days ago

6
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How do you forget... 0014

āĻāĻ•āϟāĻŋ āφāĻŦ⧇āĻ—āϘāύ āĻŦāĻžāĻ‚āϞāĻž āĻĒā§āϰ⧇āĻŽāĻŦāĻŋāĻšā§āϛ⧇āĻĻ⧇āϰ āĻ—āĻžāύ, āϝ⧇āĻ–āĻžāύ⧇ āĻĒā§āϰāĻŋ⧟āϜāύ⧇āϰ āϏāĻšāĻœā§‡ āϭ⧁āϞ⧇ āϝāĻžāĻ“ā§ŸāĻžāϰ āĻĒā§āϰāĻļā§āύ, āĻ¸ā§āĻŽā§ƒāϤāĻŋāϰ āĻ­āĻžāϰ, āĻ…āĻļā§āϰ⧁, āĻāĻ•āĻžāϕ⧀āĻ¤ā§āĻŦ āĻāĻŦāĻ‚ āĻ›ā§‡ā§œā§‡ āϝāĻžāĻ“ā§ŸāĻžāϰ āĻŦ⧇āĻĻāύāĻžāϕ⧇ āϰāĻ•, āϏ⧋āϞ āĻ“ āĻĄāĻžāĻ°ā§āĻ• āϏāĻžāωāĻ¨ā§āĻĄāĻ¸ā§āϕ⧇āĻĒ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻ—āĻ­ā§€āϰāĻ­āĻžāĻŦ⧇ āĻĒā§āϰāĻ•āĻžāĻļ āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇āĨ¤

5 days ago

7
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How do you forget.... 014

āĻĒā§āϰāĻŋ⧟ āĻŽāĻžāύ⧁āώāϕ⧇ āĻšāĻžāϰāĻžāύ⧋āϰ āĻĒāϰ āĻ…āϏāĻ‚āĻ–ā§āϝ āĻ¸ā§āĻŽā§ƒāϤāĻŋ, āĻ…āĻĒā§‚āĻ°ā§āĻŖ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž, āĻ…āĻĒ⧇āĻ•ā§āώāĻž āĻ“ āϭ⧁āϞ⧇ āϝ⧇āϤ⧇ āύāĻž āĻĒāĻžāϰāĻžāϰ āĻ—āĻ­ā§€āϰ āϝāĻ¨ā§āĻ¤ā§āϰāĻŖāĻž āĻāχ āĻ—āĻžāύ⧇āϰ āĻŽā§‚āϞ āĻŦāĻŋāώ⧟āĨ¤ āĻŦāĻŋāώāĻŖā§āύ āĻ…āĻĨāϚ āφāĻŦ⧇āĻ—āϘāύ āϏ⧁āϰ⧇ āĻŦāĻŋāĻšā§āϛ⧇āĻĻ⧇āϰ āĻŦ⧇āĻĻāύāĻž āĻ“ āĻŽāύ⧇āϰ āĻ…āĻŽāϞāĻŋāύ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϗ⧁āϞ⧋āϕ⧇ āĻĢ⧁āϟāĻŋā§Ÿā§‡ āϤ⧋āϞāĻž āĻšā§Ÿā§‡āϛ⧇āĨ¤

5 days ago

8
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āĻĒāĻŋāĻ¨ā§āϟ⧁ āĻŽāĻžāĻĨāĻž āύ⧋āϝāĻŧāĻžāϝāĻŧ āύāĻž

āĻāχ āĻĒā§āϰāϤāĻŋāĻŦāĻžāĻĻā§€ āĻ—āĻžāύāϟāĻŋ āĻĒāĻŋāĻ¨ā§āϟ⧁āϕ⧇ āϏāĻ¤ā§āϝ, āύ⧀āϤāĻŋ āĻ“ āϏāĻžāϧāĻžāϰāĻŖ āĻŽāĻžāύ⧁āώ⧇āϰ āĻĒāĻ•ā§āώ⧇ āĻ…āĻŦāĻŋāϚāϞ āĻāĻ• āϏāĻ‚āĻ—ā§āϰāĻžāĻŽā§€ āϚāϰāĻŋāĻ¤ā§āϰ āĻšāĻŋāϏ⧇āĻŦ⧇ āϤ⧁āϞ⧇ āϧāϰ⧇āĨ¤ āĻ…āĻĒāĻŦāĻžāĻĻ, āϞ⧋āĻ­ āĻŦāĻž āϰāĻžāϜāύ⧈āϤāĻŋāĻ• āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āϤāĻžāϕ⧇ āύāϤ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇ āύāĻž; āĻŽāĻžāύ⧁āώ⧇āϰ āĻŽāĻ°ā§āϝāĻžāĻĻāĻž āĻ“ āϏāϤāϤāĻžāϰ āĻĒā§āϰāϤāĻŋ āϤāĻžāϰ āĻ…āĻ™ā§āĻ—ā§€āĻ•āĻžāϰāχ āĻ—āĻžāύ⧇āϰ āĻŽā§‚āϞ āĻļāĻ•ā§āϤāĻŋāĨ¤

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9
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āĻ­ā§‚āϤcaust

āĻāχ Horror āĻ—āĻžāύāϟāĻŋ āĻ…āϤāĻŋāĻĒā§āϰāĻžāĻ•ā§ƒāϤ āϭ⧟, āĻ­ā§‚āĻ¤ā§ā§œā§‡ āĻĒāϰāĻŋāĻŦ⧇āĻļ āĻāĻŦāĻ‚ āϰāĻšāĻ¸ā§āϝāĻŽā§Ÿ āϰāĻžāϤ⧇āϰ āĻ•āĻ˛ā§āĻĒāϜāĻ—āϤāϕ⧇ āϤ⧁āϞ⧇ āϧāϰ⧇āĨ¤ āĻĒ⧁āύāϰāĻžāĻŦ⧃āĻ¤ā§āϤāĻŋāĻŽā§‚āϞāĻ• āϞāĻŋāϰāĻŋāĻ• āĻ“ āĻļā§€āϤāϞ āϚāĻŋāĻ¤ā§āϰāĻ•āĻ˛ā§āĻĒ āĻļā§āϰ⧋āϤāĻžāϰ āĻŽāύ⧇ āĻ…āĻ¸ā§āĻŦāĻ¸ā§āϤāĻŋ, āĻ•ā§ŒāϤ⧂āĻšāϞ āĻ“ āϰ⧋āĻŽāĻžāĻžā§āĻšā§‡āϰ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋ āϏ⧃āĻˇā§āϟāĻŋ āĻ•āϰ⧇āĨ¤

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10
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"āĻļāĻšā§€āĻĻ āĻ•āϞ⧋āύāĻŋāϰ āϰāĻ•ā§āϤāĻĻāĻžāύ āĻļāĻŋāĻŦāĻŋāϰ"

āĻāχ āĻ—āĻžāύāϟāĻŋ āĻļāĻšā§€āĻĻ āĻ•āϞ⧋āύāĻŋāϰ āϰāĻ•ā§āϤāĻĻāĻžāύ āĻļāĻŋāĻŦāĻŋāϰāϕ⧇ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ•āϰ⧇ āĻŽāĻžāύāĻŦāϤāĻž, āϐāĻ•ā§āϝ, āĻ¸ā§āĻŦ⧇āĻšā§āĻ›āĻžāϏ⧇āĻŦāĻž āĻ“ āĻœā§€āĻŦāύ āĻŦāĻžāρāϚāĻžāύ⧋āϰ āφāĻšā§āĻŦāĻžāύ āϤ⧁āϞ⧇ āϧāϰ⧇āĨ¤ āϕ⧋āĻŽāϞ āφāĻŦ⧇āĻ—āϘāύ āϏ⧁āϰ⧇ āĻāϟāĻŋ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āĻĻāĻžāϝāĻŧāĻŦāĻĻā§āϧāϤāĻž āĻ“ āĻŽāĻžāύ⧁āώ⧇āϰ āĻĒāĻžāĻļ⧇ āĻĻāĻžāρāĻĄāĻŧāĻžāύ⧋āϰ āĻ…āύ⧁āĻĒā§āϰ⧇āϰāĻŖāĻž āϜāĻžāĻ—āĻžāϝāĻŧāĨ¤

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āĻļāĻšā§€āĻĻ āĻ•āϞ⧋āύāĻŋāϰ āĻĄāĻžāĻ•

āĻāχ āĻ—āĻžāύāϟāĻŋ āĻŽāĻžāύāĻŦāϤāĻž, āϐāĻ•ā§āϝ āĻ“ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āĻĻāĻžāϝāĻŧāĻŦāĻĻā§āϧāϤāĻžāϰ āĻļāĻ•ā§āϤāĻŋāĻļāĻžāϞ⧀ āφāĻšā§āĻŦāĻžāύāĨ¤ āĻ•ā§āώ⧁āϧāĻž, āĻ•āĻˇā§āϟ āĻ“ āϏāĻ‚āĻ—ā§āϰāĻžāĻŽā§‡āϰ āĻŽāĻžāĻā§‡āĻ“ āĻŽāĻžāύ⧁āώāϕ⧇ āĻāĻ•āϏāĻžāĻĨ⧇ āĻĻāĻžāρāĻĄāĻŧāĻŋāϝāĻŧ⧇ āφāĻļāĻž, āϏāĻžāĻšāϏ āĻāĻŦāĻ‚ āϏāĻšāĻŽāĻ°ā§āĻŽāĻŋāϤāĻžāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āύāϤ⧁āύ āĻ­āĻŦāĻŋāĻˇā§āĻ¯ā§Ž āĻ—āĻĄāĻŧāĻžāϰ āĻ…āύ⧁āĻĒā§āϰ⧇āϰāĻŖāĻž āĻĻ⧇āϝāĻŧāĨ¤

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12
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āφāϞāĻŋāĻŦāĻžāϗ⧇āϰ āĻĄāĻžāĻ•

āĻāχ āĻ—āĻžāύāϟāĻŋ āφāϞāĻŋāĻŦāĻžāϗ⧇āϰ āĻĒā§āϰāĻ•ā§ƒāϤāĻŋ, āϏāĻŽā§āĻĻā§āϰ, āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻāĻŦāĻ‚ āĻĒā§āϰāĻŋāϝāĻŧāϜāύ⧇āϰ āϏāĻžāĻ¨ā§āύāĻŋāĻ§ā§āϝ⧇ āύāϤ⧁āύ āϏāĻ•āĻžāϞ āϖ⧁āρāĻœā§‡ āĻĒāĻžāĻ“āϝāĻŧāĻžāϰ āĻ—āĻ˛ā§āĻĒ āĻŦāϞ⧇āĨ¤ āωāĻœā§āĻœā§āĻŦāϞ Indie-pop āϏ⧁āϰ āĻ“ āϏāĻŽā§āĻĻā§āϰāϤ⧀āϰ⧇āϰ āφāĻŦāĻš āĻŽāĻŋāϞāĻŋāϝāĻŧ⧇ āĻāϟāĻŋ āĻŽā§āĻ•ā§āϤāĻŋ, āĻ­ā§āϰāĻŽāĻŖ āĻāĻŦāĻ‚ āφāύāĻ¨ā§āĻĻ⧇āϰ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋ āϜāĻžāĻ—āĻžāϝāĻŧāĨ¤

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āĻĻ⧁āĻ—ā§āĻ—āĻž āĻāϞ⧋

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āĻĻ⧁āĻ—ā§āĻ—āĻž āĻāϞ⧋

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āĻĻ⧁āĻ—ā§āĻ—āĻž āĻāϞ⧋

āĻŽāĻšāĻžāϞāϝāĻŧāĻž āĻĨ⧇āϕ⧇ āĻĻāĻļāĻŽā§€ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻĻ⧁āĻ°ā§āĻ—āĻžāĻĒā§‚āϜāĻžāϰ āĻĒā§āϰāϤāĻŋāϟāĻŋ āĻĻāĻŋāύ⧇āϰ āφāύāĻ¨ā§āĻĻ, āĻ‰ā§ŽāϏāĻŦ, āĻŽāĻŋāϞāύ, āύāĻžāϚ, āĻ­āĻ•ā§āϤāĻŋ āĻ“ āĻŦāĻŋāĻĻāĻžāϝāĻŧ⧇āϰ āφāĻŦ⧇āĻ—āϕ⧇ āĻĒā§āϰāĻžāĻŖāĻŦāĻ¨ā§āϤāĻ­āĻžāĻŦ⧇ āϤ⧁āϞ⧇ āϧāϰāĻž āĻšāϝāĻŧ⧇āϛ⧇āĨ¤ āωāĻšā§āĻ›ā§āĻŦāϏāĻŋāϤ āϕ⧋āϰāĻžāϏ, āύāĻžāϰ⧀-āĻĒ⧁āϰ⧁āώ āĻ•āĻŖā§āϠ⧇āϰ āϏāĻŽāĻ¨ā§āĻŦāϝāĻŧ āĻāĻŦāĻ‚ āύāĻžāĻšā§‡āϰ āωāĻĒāϝ⧋āĻ—ā§€ āϏ⧁āϰ āĻ—āĻžāύāϟāĻŋāϕ⧇ āĻ‰ā§ŽāϏāĻŦāĻŽā§āĻ–āϰ āĻ•āϰ⧇ āϤ⧋āϞ⧇āĨ¤

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Boltu bhai

āĻ—ā§āϰāĻžāĻŽ āĻĨ⧇āϕ⧇ āĻĸāĻžāĻ•āĻžā§Ÿ āĻ¸ā§āĻŦāĻĒā§āύ āĻĒā§‚āϰāϪ⧇ āφāϏāĻž āĻŦāĻ˛ā§āϟ⧁ āĻ­āĻžāĻ‡ā§Ÿā§‡āϰ āĻšāĻžāĻ¸ā§āϝāϰāϏāĻžāĻ¤ā§āĻŽāĻ• āϏāĻ‚āĻ—ā§āϰāĻžāĻŽ, āϏāϰāϞāϤāĻž, āφāĻ¤ā§āĻŽāĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻāĻŦāĻ‚ āĻĒā§āϰāϤāĻŋāϕ⧂āϞāϤāĻžāϰ āĻŽāĻžāĻā§‡āĻ“ āχāϤāĻŋāĻŦāĻžāϚāĻ• āĻĨāĻžāĻ•āĻžāϰ āĻ—āĻ˛ā§āĻĒāϕ⧇ āĻĻā§āϰ⧁āϤāĻ—āϤāĻŋāϰ āĻ•āĻžāĻ°ā§āϟ⧁āύāϧāĻ°ā§āĻŽā§€ āĻĢā§‹āĻ•-āĻĒāĻĒ āϏ⧁āϰ⧇ āωāĻĒāĻ¸ā§āĻĨāĻžāĻĒāύ āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇āĨ¤

5 days ago

17
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āĻāĻ• āϜāύāĻŽā§‡2

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āĻāĻ• āϜāύāĻŽā§‡

āĻāĻ• āĻ—āĻ­ā§€āϰ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋ, āφāϕ⧁āϞāϤāĻž āĻ“ āφāĻ¤ā§āĻŽāϏāĻŽāĻ°ā§āĻĒāϪ⧇āϰ āĻ—āĻ˛ā§āĻĒāĨ¤ āĻĒā§āϰāĻŋ⧟ āĻŽāĻžāύ⧁āώāϕ⧇ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ•āϰ⧇ āĻœā§€āĻŦāύ⧇āϰ āϏāĻŦ āĻ…āύ⧁āĻ­āĻŦ, āĻ¸ā§āĻŦāĻĒā§āύ āĻ“ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰ āϰāĻ™ āĻĢ⧁āĻŸā§‡ āωāϠ⧇āϛ⧇ āϕ⧋āĻŽāϞ āϏ⧁āϰ, āĻ—āĻŋāϟāĻžāϰ, āĻŦāĻžāρāĻļāĻŋ āĻ“ āϝ⧁āĻ—āϞ āĻ•āĻŖā§āϠ⧇āϰ āφāĻŦ⧇āĻ—āĻŽā§Ÿ āĻĒāϰāĻŋāĻŦ⧇āĻļāύāĻžā§ŸāĨ¤

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āφāĻĒ⧇āϞ āĻŽāĻžāĻ°ā§āĻ•āĻž

āĻāχ āĻ—āĻžāύāϟāĻŋ āĻāĻ•āϟāĻŋ āĻĒā§āϰāĻžāĻŖāĻŦāĻ¨ā§āϤ āĻŦāĻžāĻ‚āϞāĻž āϞ⧋āĻ•āϧāĻžāϰāĻžāϰ āύāĻŋāĻ°ā§āĻŦāĻžāϚāύ⧀ āĻĒā§āϰāϚāĻžāϰāĻŖāĻžāϰ āϏāĻ‚āĻ—ā§€āϤ, āϝ⧇āĻ–āĻžāύ⧇ āφāĻĒ⧇āϞ āĻŽāĻžāĻ°ā§āĻ•āĻžāϰ āĻĒā§āϰāĻžāĻ°ā§āĻĨā§€ āφāύ⧋āϝāĻŧāĻžāϰ āĻ­āĻžāχāϝāĻŧ⧇āϰ āĻŦāĻŋāϜāϝāĻŧ⧇āϰ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻž, āϜāύāĻ—āϪ⧇āϰ āϏāĻŽāĻ°ā§āĻĨāύ āĻāĻŦāĻ‚ āĻ‰ā§ŽāϏāĻŦāĻŽā§āĻ–āϰ āύāĻŋāĻ°ā§āĻŦāĻžāϚāύ⧀ āĻĒāϰāĻŋāĻŦ⧇āĻļāϕ⧇ āωāĻĻā§āĻĻā§€āĻĒāĻ• āϏ⧁āϰ āĻ“ āϏāĻŽāĻŦ⧇āϤ āĻ•āĻŖā§āϠ⧇ āωāĻĒāĻ¸ā§āĻĨāĻžāĻĒāύ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇āĨ¤

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How do you forget.... 014

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5 days ago

Introduction to Bengali Music

Bengali music, originating from the Bengal region in South Asia, encompasses a wide range of musical styles and traditions. The roots of Bengali music can be traced back to ancient times, with influences from classical, folk, and modern genres. Over the centuries, Bengali music has evolved, incorporating various elements and adapting to changing cultural and social dynamics. The rich heritage of Bengali music is reflected in its diverse forms, including Rabindra Sangeet, Nazrul Geeti, Baul, modern songs, and film music.

Sub-tags and Classifications of Bengali Music

  • Rabindra Sangeet

    Rabindra Sangeet refers to the songs composed and written by the Nobel laureate Rabindranath Tagore. These songs are characterized by their poetic lyrics and blend of classical and folk music elements. Rabindra Sangeet holds a special place in Bengali culture, often performed in various cultural events and celebrations.

  • Nazrul Geeti

    Nazrul Geeti, also known as Nazrul Sangeet, comprises the songs written and composed by Kazi Nazrul Islam, a prominent Bengali poet and musician. These songs are known for their revolutionary and spiritual themes, showcasing a fusion of classical, folk, and Western musical influences.

  • Baul

    Baul music is a unique genre of folk music performed by the Bauls, a group of mystic minstrels from Bengal. Baul songs emphasize themes of love, devotion, and spiritual liberation. The music is characterized by its soulful and rhythmic tunes, often accompanied by traditional instruments like the ektara and dotara.

  • Modern Bengali Songs

    Modern Bengali songs encompass a wide variety of contemporary music styles, including pop, rock, and fusion. These songs often reflect modern themes and societal issues, appealing to the younger generation. They are frequently played on radio, television, and digital platforms.

  • Bengali Film Music

    Bengali film music is an integral part of Bengali cinema, known for its melodic and lyrical richness. This genre includes songs composed for Bengali movies, ranging from classical and folk-inspired tunes to modern and experimental sounds. Film music plays a significant role in the popularity and success of Bengali films.

Famous Artists and Works in Bengali Music

Rabindranath Tagore

Rabindranath Tagore, a prolific poet, writer, and composer, created a vast collection of songs known as Rabindra Sangeet. His works are celebrated for their profound lyrics and musical depth, making a lasting impact on Bengali music and culture.

Amar Shonar Bangla

Composed by Rabindranath Tagore, 'Amar Shonar Bangla' is the national anthem of Bangladesh. This song beautifully captures the essence of Bengali culture and love for the motherland. Its poetic lyrics and melodious tune continue to inspire patriotism and pride.

Kazi Nazrul Islam

Kazi Nazrul Islam, renowned as the 'Rebel Poet,' contributed significantly to Bengali music with his Nazrul Geeti. His songs, imbued with themes of revolution and spirituality, continue to inspire and resonate with audiences.

Bhalo Achi Bhalo Theko

A classic song by the legendary singer Hemanta Mukherjee, 'Bhalo Achi Bhalo Theko' is known for its soulful melody and poignant lyrics. The song reflects the deep emotions and serene beauty of Bengali music.

Lalon Fakir

Lalon Fakir, a prominent Baul saint and songwriter, composed numerous Baul songs that reflect his philosophical and spiritual beliefs. His works are revered for their simplicity, depth, and devotion to humanism.

Bhalo Kore Bhalo Oi

Another gem by Kazi Nazrul Islam, 'Bhalo Kore Bhalo Oi' is a spiritual song that emphasizes inner peace and devotion. The song's profound lyrics and harmonious tune exemplify the essence of Nazrul Geeti.

Hemanta Mukherjee

Hemanta Mukherjee, also known as Hemant Kumar, was a legendary playback singer and music director in Bengali and Hindi cinema. His melodious voice and timeless songs have left an indelible mark on Bengali music.

Chokher Bali

This song from the film adaptation of Rabindranath Tagore's novel 'Chokher Bali' features music by R. D. Burman. The song's intricate composition and emotive delivery highlight the emotional depth and narrative power of Bengali film music.

R. D. Burman

R. D. Burman, an iconic music composer, made significant contributions to Bengali and Indian music. Known for his innovative and eclectic compositions, he blended traditional and modern elements, creating evergreen hits.

Ami Banglay Gaan Gai

Composed by Salil Chowdhury and sung by various artists, 'Ami Banglay Gaan Gai' is a celebration of Bengali identity and pride. The song's vibrant rhythm and patriotic lyrics make it a beloved anthem in Bengal.

Application Scenarios of Bengali Music

  • Bengali music is frequently used in movie soundtracks to enhance the narrative and emotional impact of films. The rich lyrical content and diverse musical styles provide a powerful backdrop for cinematic storytelling.

    Movie Soundtracks

  • The melodic and memorable nature of Bengali music makes it an excellent choice for advertising. Brands often use Bengali songs to evoke emotional connections and cultural resonance with their target audience.

    Advertising Music

  • In video games, Bengali music can create an immersive and culturally rich gaming experience. The use of traditional instruments and tunes adds authenticity and depth to the game's atmosphere.

    Game Background Music

  • Bengali music is a staple in cultural festivals and events, showcasing the region's artistic heritage. Performances of Rabindra Sangeet, Nazrul Geeti, and Baul songs are integral to these celebrations, fostering community spirit and cultural pride.

    Cultural Festivals

  • Bengali music is used in educational settings to teach language, culture, and history. Through songs, students learn about poetic forms, historical events, and cultural values, making education engaging and holistic.

    Educational Purposes